These are the first two tracks from Fellini's Casanova soundtrack. Easily one of the stranger Fellini productions and probably Donald Sutherland's most bizarre role. Rota, as usual, cooked up a masterpiece of a soundtrack. The use of mallets and keys in Rota's work often reminds me of the sound from music boxes. O Venezia, Venaga, Venusia & L'Uccello Magico